Freelancing for Causton Books, she’s working on the manuscript of a novel, Pund’s Last Case, by a young author named Eliot Crace, a continuation of the popular Alan Conway series. Susan is surprised to learn that Eliot is the grandson of legendary children’s author Marian Crace, who died some fifteen years ago—murdered, Elliot insists, by poison.
As Susan begins to read the manuscript’s opening chapters, the skeptical editor is relieved to find that Pund’s Last Case is actually very good. Set in the South of France, it revolves around the mysterious death of Lady Margaret Chalfont, who, though mortally ill, is poisoned—perhaps by a member of her own family. But who did it? And why?
The deeper Susan reads, the more it becomes clear that the clues leading to the truth of Marian Crace’s death are hidden within this Atticus Pund mystery.
While Eliot’s accusation becomes more plausible, his behavior grows increasingly erratic.. Then he is suddenly killed in a hit-and-run accident, and Susan finds herself under police scrutiny as a suspect in his killing.
Three mysterious deaths. Multiple motives and possible murderers. If Susan doesn’t solve the mystery of Pund’s Last Case, she may well be the next victim.
Comment: This is the third - and apparently last - installment in the Susan Ryeland books, and we can thank actress Leslie Manville (from the adapted TV series) for it, since she expressed her wish to do one more season to author Anthony Horowitz.
When this story begins, Susan is about to leave Greece definitively for her life there no longer makes sense to her. She expects that once back in England, she can find a way to go back to her work as an editor, something which has been tremendously affected since the events in the first book. Coincidentally, her current boss asks her to edit a continuation on the Atticus Pund novels, with a new author doing it, Eliot Crace, who comes from a famous family but his previous books didn't go well. Still, Susan is glad that the chapters she is given seem very alike the original author's work and she believes this can work. The problem is that Eliot isn't always reliable and the more she reads, the more it seems that, like Alan Conway, Eliot Crace is also hiding secrets in his novel...
I really love this type of novel, in which we have a story within a story. As we follow Eliot Crace's novel, it's also a means to understand the "real life" plot about Susan and those she interacts with while she does her job and investigates. This worked out very well for me in the first book, even better in the second and here, despite the cleverness of Horowitz' planning, I will have to say I wasn't as greatly wowed.
To be fair, my issue isn't with the mysteries, both the one in the fictional novel and the one involving Susan. I think my general appreciation of this novel was just a little bit lower because of the tone. I feel the tone in this book was darker and less hopeful as the others somehow made me feel. I can understand this, clearly this is aimed to be the last book - which makes sense plot and character-wise - and with that we need to deal with some finite situations and expectations. But some passages, some scenes were still a little too sad, too disheartening for me, mostly related to Susan's life while she does this job.
With this I don't mean things don't end up in suitable way; in fact, the end is pretty much a tidy bow on the series and the adventures of these characters, but some situations were quite distressing at times. I saw that some readers have been disappointed and some even think this book is pointless, but I still think it was a great story to read. I was taken by the mysteries and the complexity of what was happening and the process of it all, although one of the murderers seemed easy to guess (psychologically, I mean, not that I guessed the clues), while the other was more surprising to me.
As it had happened with the other books in the trilogy, we get to follow the two story lines in sometimes alternated parts, and they have many points in common, so we get to have an idea about what the other story might include just by reading one first. Anthony Horowitz is a very clever planner, in the sense that so many things are intricate and connect in ways we would never imagine, so the final work reads as if it's a simple mystery but it surely means countless hours planning and creating everything...I do like the wit and the depth that goes into these stories.
This time I kind of liked the real life plot a little bit better, even counting with the bleaker moments, than the fictional story within. I say this because with the other two books, the fictional historical plots featured situations I was more impressed by, which the contemporary setting didn't do as much, but in this third book the opposite happened. Perhaps due to the content and the expectation about this being Atticus Pund last case. The development felt a bit erratic.











