As they delve deeper into the baffling clues, Wrexford and Charlotte begin to realize that things are not what they seem. An evil conspiracy is lurking in the shadows and threatens all they hold dear—unless they can tie the loose threads together before it’s too late . . .
Comment: This is the most recent installment in the Wrexford and Sloane series by author Andrea Penrose, which follows the adventures and investigations of the earl of Wrexford and Charlotte Sloane, now Wrexford's countess.
In this 7th book, life has been pretty stable and happy for Wrex and Charlotte, as well for their close family and friends. They still go on about their respective responsibilities but domestically all seems to go well. Suddenly, though, Wrex receives a note from a friend of his late brother, who now works at Merton library, but before he can travel, the man is murdered. Since he had a solitary life and his last known words were asking for Wrexford to visit him, it seems logical he must have wanted to tell Wrex something important. At the same time, a sibling duo is in town doing presentations of a fantastic project to invest in, and it all seems amazing but something about the family isn't socially flawless, which makes some people have doubts. Is there a connection between these events or Wrex and everyone is just wanting to see things where they might not exist?
This is, by now, one of those series that feels extremely competent and in which familiarity and sequence help a lot in appreciating reading about the same characters doing pretty much repetitive actions. I say this because while each book has a different plot and investigation, the characters are the same and the formula behind how things progress is very predictable. This said, for new readers it might not be very fulfilling, and I advise reading this series in order.
I've been reading and enjoying the series but I must confess that sometimes, certain details just feel too repetitive and predictable and while I don't mind this as it is, I do wish something new would come with it, mostly more domestic scenes or a stronger hint at romance. The main couple meets in the first book and they are now married. We are told and we do have a few scenes where thy express their feelings but... it's all so automated, so very much like a patterned expectation that I feel like the author is just going through the motions with these scenes. I wish we actually could be part of the lives of the characters.
As for the plot, this is where the author really shines. She is known for her research into inventions and novelties in the 1800s, which she can use for the same time period of her stories, and often her notes at the end of the books are as interesting as the novel. She goes through a lot of effort to include and even use the result of that research into each novel, into a way that the plot would be realistic to include something in a close scenario to real life possibilities.
I do like this sense of competence and efficiency in her novels, which in turn make the character feel clever and competent in their skills. Then, of course, when Wrexford and Charlotte and the others seem themselves in the middle of things, all these new details and information make the story feel richer and I read with this notion things are progressing in a realistic way. All this is great, but it does get to such a point that all this amazing network of details seems a bit too much, more fitting to other types of novel, not as much an historical mystery. I guess what I mean to say is that there seems to exist more elements of one thing (technical stuff) than a balanced mix of everything.
I have been intrigued by this series, and I happen to have an ARC for...book 5? I checked the prices on the first titles, and...nah, they are absolutely out of my range.
ReplyDeleteI'll try the ARC first, see if I'm interested enough to invest that much money.
I think the first 3 books were the best in mixing up plot and tension and hints of romance. Of course I've liked some plots more than others, but I felt those were the books with better balance. Now, the stories are still engaging to me overall, yes, but the initial charm isn't the same.
DeleteSeems like a shame; I am generally keen on authors who integrate good period research into their stories, but not so much when the research takes over character development and growth.
DeleteThat is the feeling I have now, it's true. I do like it how detailed the author is in using what she has learned, but the story should not be focused on that.
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