Irina Shapiro - Murder on Platform Four

Inspector Sebastian Bell arrives at Paddington station through thick Victorian mist, hoping to reconcile with his estranged brother. Instead, he discovers a young woman’s body in an abandoned trunk, stabbed with a peculiar bone-handled knife. But with no clues to her identity and his new boss dismissing the case, Sebastian’s investigation seems doomed.
Nurse Gemma Tate is at work when the nameless woman is brought in for an autopsy. Realizing how desperate Sebastian is for a lead, she risks a forbidden examination and makes two tragic discoveries: the woman recently gave birth, and she wears a wedding ring with the inscription “G loves H”. Has this brutal act of violence shattered not just one life, but an entire family?
Determined to get justice, Sebastian and Gemma pursue answers to the woman’s wretched fate. But when the trail of clues leads them uncomfortably close to home, Sebastian realizes too late the danger they are in. By ignoring his superior to follow this case, has he fatally doomed the woman he loves…?

Comment: This is the fifth installment in the Tate and Bell series, which I have been reading recently with my buddy read friend. The series features detective Sebastian Bell and Nurse Gemma Tate as they investigate a case and fall in love.

In this story, Sebastian and Gemma are still debating what to do with their lives, but Gemma's period of mourning is ending and they are planning on becoming engaged after that. In the meantime, a body is found inside a trunk on platform four and Sebastian is quick on the discovery since he had planned to meet his brother at the station. As they investigate the dead woman found inside, they follow the clues to a hotel, where the woman had stayed, and the hospital, where she had planned to meet someone. Why is the woman dead and what as she doing in the city? Can they find out what happened before someone else is killed?

This being the fifth installment means there are situations that have become easy to spot in the series and a certain vibe has become predictable. Still, I must say i was surprised by how much easier it was to read this book as opposed to the last two, for instance, which felt a lot bleaker. This one still had the crime investigation, which always touches subjects that can seem sensitive, but the overall impression was one of a much more approachable story line and secondary characters.

In fact, my biggest disappointment in the previous book was how unlikable most secondary characters had been and the tone of the story suggested some very bad thoughts and emotions. I'm glad that this one was a lot lighter to me, and not at the expanse of an intriguing story, for the crime committed and the solving of it still offered a lot of food for thought. This means that this book felt like it was easier to read and to appreciate.

The crime investigated provided interesting details to analyse and to wonder about and this is one of my favorite things about these novels, how the police investigates certain things with pretty much only their wit and by asking questions. At a time where so much of our contemporary science is set on technology or artificial means of finding evidence, it always impresses me how much Sebastian and Gemma can learn by talking to people and assuming things. Of course, some coincidence makes all this sound better too...

I think the case wasn't very complex, however, and the real challenge was to see how the clues would fit. Despite this, the investigation went towards a path in which it was interesting to learn what motivated the killer to act that way. And, as always, the author added interesting historical facts about this and that to make the reading experience feel richer.

My buddy friend and I have talked about the books and for me the biggest "negative" issue has been the tone of the books and how unpleasant some characters are and how that affected my enjoyment of the book. For my friend, the issue is the lack of development of Gemma and Sebastian's romance. This is an historical, so the author is trying to keep up a realistic evolution of how such a couple would behave in public, but I can understand why this also feels like an excuse, and their romance seems too bland and relatively platonic. I, too, would not mind more evidence that they are falling in love.

This book did work better for me than others and some of the things that take place give me hope for what is to come. There is always something I'd change to suit my preferences but I think this one had a good balance of the elements used. I hope the next one can feel stronger, though.

Grade: 8/10

Mini - Comments

These are the last books I've read in April. Nothing in common between them, but since I don't have much to say about them, I've decided to group both in a smaller post.

The Postman by Antonio Skarmeta is a well known short story featuring Pablo Neruda and a man who is his postman for a while, Mario. The story isn't developed much and the social and political allusions to the situation in Chile in the 1970s quite superficial. I suppose a short book would not contain much anyway, but I did expect a bit more setting and sequence to what was being said. 

The focus is on the postman who, by getting to know the poet, sees Neruda for who he is and not for his fame. Mario was a likable character but he is also quite distracted by his feelings for Beatriz. This relationship didn't convince me, but it was also a way for Mario and Neruda to talk and the best part of the book was certainly the supposed meaningful short conversations they shared. 

This short book was one of those that I think have a special value but don't leave a big mark on the reader, at least not for me. Sadly, it's very likely I'll forget about it easily.
Grade: 6/10

The Full Moon Coffee Shop by Mai Mochizuki is also a short story (less than 200 pages, just like Skarmeta's book) about a set of characters who connect somehow. The element they all have in common is the coffee shop which only seems to be open and available at certain times, and is managed by talking cats. In recent years, I have read several books by Japanese authors who have stories with cats and bookshops or coffee shops and in general all have been easy to appreciate. Of course, not all have been great for most include some sort of magical realism element too, and this can be tricky to do well.

In this book, sadly to me, I think the conjunction of things did not work out. I could not seem to connect with the characters, I had some difficulty recognizing the fun or the cuteness of the talking cats and although the book is short, it was also boring. There is also an element of astrology, which the author inserts in each character's life by having the cat providing advice and wisdom, but I was not convinced. I cannot say this bothered me as it did other readers but yes, it didn't help.
All in all, it just didn't make sense to me at any level, so I've decided to not finish.
Grade: DNF

Sally Britton - Mr Gardiner and the Governess

A duke’s governess, a gentleman entomologist, and a castle full of flowers is the perfect setting for a summer romance.
As the new governess to the duke's family, Alice Sharpe must learn to control her impulsiveness. Employment in the duke’s household is a once in a lifetime opportunity, and could mean living in comfort the rest of her days. Unfortunately, her first encounter with the duke's houseguest, a handsome gentleman obsessed with insects, proves she may not be ready for the austere role of governess.
Rupert Gardiner has one goal: to have his work in entomology and botany published by the Royal Society. He is fortunate that the Duke of Montfort, believes in him and enlists Rupert to make a record of all the flora on the castle grounds. But Miss Sharpe’s spontaneity and continual appearance during his work is an annoying distraction. At least, that’s what he tells himself.
While Alice struggles to adapt to her new role, constantly striving to go unnoticed while still being herself, she cannot help but admire Rupert’s intelligence and focus. The more often they fall in together, the more her admiration deepens. But could a gentleman such as he ever fall in love with the governess?

Comment: I can't remember why I've added this book to my TBR but it was likely because of the different class dynamics, since the hero is a guest of a duke and the heroine is the governess. I'm always on the lookout for romances where the characters need to deal with their circumstances.

Alice is a young woman who, despite her being an orphan after the death of her parents, has had the privilege of an educated life but at the mercy of many relatives who, from time to time, would pass her around to someone else. Now she is starting her life as a governess and that is how she meets mr Rupert Gardiner, a scientist interested in insects who is working on the duke's garden. They like each other from the start and their common interests make their conversations interesting, however, he is the son of an reputed member of the Royal Society and she is only the governess. It doesn't seem they should match but is there any hope for them to be a happy couple?

This is a very light and almost novella sized story, which means it was easy and quick to read. I liked this in general, but it is true that it wasn't a very challenging read, because for me nothing was developed with much depth. The characters were likable, except the ones who were meant to be antagonists, but there wasn't much to them and I foresee this won't be a story I'll remember much of later on.

The plot is very simple and doesn't offer any real drama nor challenge because while we are told about the protagonists and of the fears/difficulties they claim to have, we never dig deep into anything. I mean, I certainly would not like to read about all the negative aspects that surely I can imagine they would think of - for instance, Rupert's need to prove himself to the Royal Society and Alice's need to prove her reliability as a governess - but even though we knows these things worry them, this is only addressed superficially, for plot purposes.

I suppose I need to be fair by saying the story doesn't take long to happen, thus no time to really discuss serious issues. Although, I think in terms of writing skill the author could have done things differently to convey the importance of some things without them sounding as superficial as it happened to be. I can infer and understand what the point was, of course, but the telling instead of showing really seemed like a miss in this book, which means the potential was a little lost.

The romance is mostly cute, and nothing intimate happens except for a kiss if I remember correctly. It's not always the case, but this time this decision made me think the chemistry between them was mute, and not really special. It was cute yes, that they respected each other, but I wasn't blown away by how they behaved and acted with one another. It was very meh.

There are some situations that are meant to convey doubt and that provide a contrast to what "feels right", namely how another governess at some point is unfair, and we see how much more adequate Alice is, or when another man mistreats Alice and we see how much more decent Rupert is, but these things felt like they were presented in a very juvenile manner, at least to me, although I assume the point was to offer a contrast, but why would the author use this tactic,  after all the reader should understand this easily anyway.

I guess I can summarize this story as boring. The secondary characters were superficial, in the sense that while interesting on their own, we don't get to see them for more than what role they represent, and the protagonists are kind of predictable within the limits the author imagined. I know more books with secondary characters as protagonist come after but I don't feel like trying them.

Grade: 6/10

Livy Hart - Some Kind of Blunderful

If you ask Mia Madden, the road to dating hell is paved with suspiciously hot online profiles. Take tonight’s date, for example. Alex Conroy’s whole “boardroom in the streets, lumberjack in the sheets” thing totally works for her, but his profile did not convey that he represents everything she loathes about corporate hustle culture. He’s not even worth her bottle of purse wine.
Imagine her horror when it turns out that Alex is also the hot-shot new boss her dad can’t stop complaining about—the Forbes 30-under-30 company fixer of his nightmares. Worse, their respective best friends are dating. Mia and Alex are constantly thrown together, whether it’s for corporate volunteer hours at the animal rescue, squaring off at the company picnic, or literally trapped in an escape room. It’s one nightmare after another... no matter how sexy the company is.
Mia’s life is now a romantic-comedy of errors, complete with her kinda, sorta, accidentally sleeping with the enemy. And she’s not sure which is worse: that Alex could ruin her dad’s career, or that she might actually like him.

Comment: I got this book after seeing some positive reviews about the main couple having a sort of enemies to lovers relationship. Since this trope does appeal to me, I decided to give it a go.

Mia and Alex set up a date after finding one another on a dating app but after half an hour, Mia thinks Alex won't show up and leaves. While complaining to her best friend, though, she notices someone listening in to her conversation, and that person is Alex. After all, they were waiting for one another in different spots, so they go along with the date, but the first impression isn't positive and they agree to not have another date. However, somehow, they find each other again again, which can be tricky because Alex is Mia's father new boss and their interactions haven't been great. Is there any hope for Mia and Alex, fate does seem to bring them together very easily...

Based on the cover, I assumed this would be a cute and light romance, perhaps with some interesting characters who would have strong personalities, and funny scenes to carry the plot along. In a way, this did happen but I didn't find the main characters' interactions after they become a couple as engaging as when they weren't.

The story started off quite well for me, to be fair. Alex and Mia seemed to be easy characters to read and I was interested in seeing how their personalities would mesh and how the little things they had in common would make for a solid relationship. I also liked the tactic of having them wary after the first date but then, there are constant situations in which they find themselves together again, and it felt that the longer they would interact, the easier it would be to see they could work out as a couple.

For the first half of the book, more or less, things were super engaging and I didn't mind the coincidences that allowed them to be in each other's orbit, even when some things seemed rather contrived. I also liked it that as we get to see them together and interacting with others, their personalities became more obvious and I started to have an idea of who they were. Some details weren't as captivating to me, namely the whole mess about her father working for Alex and so on, although that situation did seem realistic.

The writing was fluid and attractive but I will say that I struggled a little to see the chemistry between Mia and Alex. I liked them as individuals, I liked them as a potential couple, but they weren't always characters I wish I could meet in person, for instance. Thus, around half way, they finally admit their attraction and become intimate, after we, the reader, having watched them deal with suggestive meetings and possibilities. I've skipped the sex scenes for they didn't seem to add layers to who they were, so no real point in reading the details.

From then on, it seemed the focus would be on them dealing with the repercussions of being together although her father would not approve, and of them admitting they were in love. I confess I've struggled, I could not feel as attentive to what was happening as I had been before this moment of the plot. A story that felt like a good one was now sounding less and less engaging and the elements related to their personal lives and jobs also lacked interested for me. Yes, what was to come would likely be predictable but more than that, it seemed it would be boring. Which it was, for me.

As one can imagine, there's an HEA, there is conversations that were necessary between characters, and not just the main couple, but my focus was lost. I've finished, but it wasn't as fun to finish the book as it had been to start. There were also a few details that I don't think had enough closure, and I didn't finish thinking Alex and Mia were the best couple they could be.

All in all, easy to read, had some good elements, but as a whole did not convince me.

Grade: 6/10

Jenn Burke - Out of the Ashes

Vampire PI Evan Fournier has dealt with his fair share of danger and heartache, but nothing prepares him for the pain of a broken bond with his mate—especially when his mate is the one who severed it. Bond or no, he still loves Colin—fiercely. Trust, however, is harder to come by. And when a demon starts terrorizing paranormals in Toronto, trust in one another is exactly what they’ll need.
Former firefighter turned crime-fighting phoenix Colin Zhang knows who Evan was—is—to him, but he doesn’t know if he can give him what he wants. He just needs a little time to figure things out. Unfortunately, bringing down a demon bent on mass murder leaves little time for anything else.
The only way they’ll destroy the demon is by teaming up with an unlikely partner to infiltrate a gang of terrorists. But the only way they’ll save themselves is by finding a path back into each other’s arms—and hearts—once again.

Comment: This is the third installment in the Ashes and Dust trilogy by Jenn Burke, concluding the story of Evan and Colin.

In this story, things seem to have reached a quiet point, although the dangers of who was responsible for the killing of so many people in the previous book are still on everyone's minds. Evan is also wary about what to expect, since he no longer has a bond with Colin and he isn't certain about Colin's intention of still wanting to be with him, now that the bond isn't there. However, their personal emotions need to take a back seat when a demon starts causing even more problems on top of those they already had. Is there any solution for these difficulties, will they be able to catch the demon?

This was an interesting story to conclude the trilogy, that's a fact, but I must say I thought the overall plot a little convoluted, and the main characters didn't seem to have had the focus I imagined they should, considering how complex looking the first book was. The second was less intense, but this one, being the last, should have been more engaging and I didn't always feel that.

The plot was definitely a little confusing, because there is still the ongoing issues from the past books, but now new characters, investigators for the paranormal groups, go on a mission to try to uncover who is helping a certain extremist group accessing weapons to harm paranormals. Along with them, Evan and Colin go too as undercovers, to play the role of people who joined a survivalist group who doesn't want paranormals to live. I mean, this was interesting but... to me it felt like a prop to make Evan and Colin be in such a situation, when the story could have focused on another path.

Of course, this led the guys to act as if they aren't a couple, and to make things worse, before they go on this mission, Colin had told Evan he didn't remember - after the break of the bond - what they had felt for one another anymore, which added much drama to everything. I thought this be so... unnecessary, because here w have our attention divided into different segments and, in my opinion, none was accomplished properly.

In regards to the plot, it was always assumed the good guys would solve things, which they do, but only after some challenges and apparent struggles. I was invested in this idea of defeating the big power causing all the problems but I must confess that it felt the author had a great idea for the first book, which she could have expanded and it would work well as a single story. Having this as a trilogy means the subjects had to be spread through more pages and this made some jumps to feel jarring. I don't mind how things ended, plot wise, but I'm also not a big fan of the choices made to choose a culprit.

The romance between Colin and Evan had so much potential, especially considering how they met and the events of the first book. In this one, I just could not buy the speed in which their decisions are made, because the emotional impact, with Evan's story also, was simply lost and unbelievable to match what they go through here. The whole coming and going in how Colin changed his mind, and how they got together for real and talked about their bond, while dealing with the plot issues... the romance definitely feels like it was secondary here.

In spite of this, I still had a positive experience reading this story and I still wanted to see where everything went, which, as one might expect, ends in a happy mode for pretty much everyone. but yes, some things could have been polished and presented better. I will try something more by the author one day.

Grade: 7/10

Catherine Ryan Howard - Rewind

PLAY
Andrew, the manager of Shanamore Holiday Cottages, watches his only guest via a hidden camera in her room. One night the unthinkable happens: a shadowy figure emerges onscreen, kills her and destroys the camera. But who is the murderer? How did they know about the camera? And how will Andrew live with himself?
PAUSE
Natalie wishes she'd stayed at home as soon as she arrives in the wintry isolation of Shanamore. There's something creepy about the manager. She wants to leave, but she can't - not until she's found what she's looking for...
REWIND
This is an explosive story about a murder caught on camera. You've already missed the start. To get the full picture you must rewind the tape and play it through to the end, no matter how shocking...

Comment: Last year I've read a book by this author which I enjoyed, even though it wasn't perfection for me. Still, I was curious enough to try another and now, finally, I did.

Natalie is a successful instagramer and her life seems to be what everyone always envisions but the truth is that Natalie is somewhat tired of keeping up the happy persona. One day, she finds out a strange receipt of a stay under her husband's name, of a place neither have been to, and she decides to investigate, thinking the worst. From then on, only terrible things happen, and as the police and a reporter start investigating what might have happened, new secrets start to unravel, and details which seemed meaningless, and people who seemed harmless,turn out to be key in finding out certain things. What is going on at the cottage where Natalie went to learn how the receipt came to be? Who is there that might have been aiming to hurt her?

Now that I have finished a second book by this author, I can say I have an idea of her style and my conclusion about this novel is the same I had in regards to the other one I had read. The plot is ingenious, the writing is competent, but there is a little something missing when it comes to how the reveal of the big twist was done.

The story is told in an interesting way: we have chapters from the POV of several characters, namely Natalie, Andrew the receptionist at the cottages she is staying at, Jennifer the receptionist at another hotel, Audrey the reporter, Seanie the young police officer and if I'm missing someone I cannot remember now. Some of these characters don't know each other, so part of the story is told in the past (rewind), in what happened when Audrey investigates (fast forward) and in apparently isolated moments (play and pause). This method made it exciting, yes, but there were times I was a little confused about what was happening because, for instance, the rewind scenes were both told by Andrew and Natalie's POVs, and things didn't always match.

In spite of this, it was easy to keep turning the pages, since something new is always being added, and the tension of finding out what might come next was well achieved. The little things related to the characters' possible secrets and why they do certain things are given at believable intervals and I had many doubts for a long time. Of course, there comes a time where something more substantial needs to be said, and once some clues come in, the big picture becomes a bit obvious.

I mean, the hows and who become obvious but the why took longer for me to understand. It's not that I'm a reader that guesses things quickly, but the way this is told, for some things to make sense, means a few details start to become evident. For instance, Natalie checks the cottages because the fears her husband had an affair, and the whole set up was quite clever, but we are never really told if he is guilty or not. And if not, why did Natalie receive the receipt suggesting he was? This was done well, but as soon as the reader accepts the possibility he might not have had an affair, a lot of things make perfect sense.

All the characters have secrets, some more dangerous and/or disgusting than others, but the psychological state of mind of each were quite provocative. Even Audrey the reporter, who seems to be doing only an aftermath work is hiding insecurities and some impulsiveness that makes the reader momentarily doubt her skills or motifs. Some of the others are even more complex, which makes the exercise of following them even more interesting.

To me, the flaw, let's call it that, in the plot was about this. As soon as a certain idea takes root, all the pieces fit, and I cannot understand why it isn't obvious sooner, but from the moment I assumed the husband didn't have an affair, everything became easier and the big reveal at the end was not truly surprising because I already had imagined that scenario. But, evidently, perhaps my assumption might not be correct. Nevertheless, it was still rewarding to see the culprit being caught and the explanations given by reporter Audrey. The end also provided information on some red herrings which sometimes worked, sometimes were too glaring.

I will certainly read more by this author because while a few things aren't as seamlessly added as they could, the overall effect is still quite worthwhile.

Grade: 8/10

Evie Woods - The Lost Bookshop

‘The thing about books,’ she said ‘is that they help you to imagine a life bigger and better than you could ever dream of.’
On a quiet street in Dublin, a lost bookshop is waiting to be found…
For too long, Opaline, Martha and Henry have been the side characters in their own lives.
But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones found in the pages of their beloved books. And by unlocking the secrets of the shelves, they find themselves transported to a world of wonder… where nothing is as it seems.

Comment: This is another buddy read choice and my friend and I have picked this one because it would be about books, of course, and we do like the "books about books" theme.

In this story we follow three main characters as their personal stories connect through the same element, a bookshop in Ireland. In 1920s, Opaline is a daring young woman who doesn't want to conform to the expectations on her role, and she runs from her brother, who aims to marry her off to someone she doesn't know. Her dream is to work with books and she goes to Paris to pursue her dream, which leads her to live through many adventures and worries, as her brother pursues her. In the present, Martha and Henry meet by chance and see themselves in constant contact from then on, for Henry is looking for Opaline's bookshop, which should be next door to the house where Martha works at as a housekeeper, but which doesn't seem to exist. What happened, why is the building simply not where it should? What is Martha hiding? What happened to Opaline?

On paper, this story had everything to make it a great one, secrets and weird things, daring characters and hints at romance, magical realism elements... books and stuff about books, it did seem like this had to be a successful book to me, but the truth is that the writing style didn't win me over.

The story is told alternatively by three characters, Opaline in the 1920s and Martha and Henry in the present. All share their POVs in first person, and sometimes this annoyed me to no end, although this isn't a romance - which is where first person, badly done, really gets on my nerves -  because the writing felt very simplistic and without enough depth to sustain the type of plot and what the characters go through. All face some sort of difficulty in their lives, and there are traumatic situations they must deal with as well, which I think weren't really developed and almost glossed over.

Opaline is certainly the most interesting character, she lives at a time women still have no real rights and she dreams of working, of doing something that makes her happy and that is book related. I could empathize with her very easily and root for her being successful, but the way she simply leaves to a foreign place and things work out with only mild worries at first felt very childish written. Surely the author could add more urgency and layers to all this.

Martha and Henry are living in the contemporary years and their meeting is quite simple but apparently develops into seriousness very quickly. However, both have to deal with current relationships (Martha has run from her abusive husband, and Henry has a girlfriend in England) before something happens, but their connection is immediate. I mean, I did struggle with this element because, again, the writing made this seem very juvenile and now the result of thoughtful adult emotions, as I imagined it should, considering their personal stories, which we learn of as the story moves on.

My main issue has to be the fact the voices/personalities of these three all seem the same! The author wrote them in first person but apart from the details related to each, I'd not differentiate them. It's really a pity how such a promising story, with so many elements that could enrich the storytelling felt short if the writing isn't as polished. I mean, nothing is badly done, only not masterful nor smooth. Plus, since most situations are presented in a slightly superficial way, of course the emotional connection failed for me as well.

There are some magical realism elements here and there, sometimes so random that I wonder why bothering with them, and to be honest, some things still don't make sense to me. In the meantime, I have even looked at questions readers asked on GR about the book, I've read some reviews hoping to understand one detail or two but my conclusion is that when it was handy, the magical realism element was there, to add a certain vibe, when it didn't seem important, it wasn't there.

Opaline and Martha have complicated challenges for their role as women when there are men in their lives who seemingly have all the power. I think this theme offered interesting food for thought elements and I did like that they have what we could say were relatively traditional HEAs, but what they go through was only alluded at, not really developed. This is a pity, considering the author decided to include those themes. Perhaps less intense elements would have been a better choice.

I did like the book conversations, the book references, the characters sometimes talk abut this title or that, and Opaline's bookshop and her look for deals seemed intriguing and something I'd like to know more of. The bookshop and how it is there and then it isn't also offered interesting ideas, so not everything is bad, certainly, but I feel this book could have been so much better.

Grade: 6/10

Debora Geary - A Nomadic Witch

Spring brings a traveler to Nova Scotia - a tiny babe who will turn Marcus's life upside down and reincarnate the horrifying events of his past.
Can Marcus find his way through the pain to love and healing? And can the witching community finally learn to keep their astral travelers safe?
A Nomadic Witch is book four of the top-rated A Modern Witch series. Light contemporary fantasy with a good dose of humor, a little romance, and characters you won't want to leave.

Comment: This is the 4th book in the Modern Witch series, which follows a family/community of witches as they go on with their lives and share things with one another.

In this story, Marcus becomes the protagonist because although he has a reputation for being lonely and unfriendly, he is still part of the family and everyone loves him anyway. He is completely surprised, though, when a baby is left on his doorstep and everyone starts acting as if he should take care of the child. Baby Morgan seems to be a "gift" sent by his deceased brother Evan, who died when he was only a child, but how did this come to be? And when it seems Morgan is also an astral voyager like even was, which was why he died, Marcus is even more worried he can't be the right person to help Morgan... but can he resist her?

As I've said before, I've loved the first book because the mix of cozy elements and a heroine who was new to the witch world and a secondary romance that felt both magical and destined were perfectly done, for my taste. Even though I could see the "issues" about the novel's execution, the combination of all those things felt practically perfect for me. The second and third ones, however, weren't as dazzling nor addictive, but the familiarity with the characters compensated.

Now, this fourth book is centered on Marcus, someone who has the fame of being an introvert and sometimes even rude, and I was curious to see him finally dealing with the guilt he has carried since his brother died, although it wasn't his fault. The baby element was interesting,provided some cute and funny scenes, but I kind of wish the author had also inserted a romance here. Not that he needed a woman to take care of the baby of course, lots of family around to help, but I assumed him being the focus would include romance too.

Well, I feel a little sad and disappointed this these sequels haven't given me the same feeling I had with the first book. That one somehow worked out so perfectly.... now, the community is there, the sense of help, family, caring, all those cozy and sweet emotions are as greatly used as before but the little things, the surprising new things heroine Lauren had to face in book #1 just don't exist anymore, and now all the characters seem too much alike, think the same things and there is no novelty in how they react to surprises and challenges. Everyone is perfect. 

I didn't mind this before, true, because in the first book that perfection still included relatable feelings, but now I'm struggling to enjoy the repetitiveness. Perhaps, if this story also included a romance Marcus didn't expect, would make things more interesting, more vibrant. I can understand the focus on his personal healing and in helping a baby and all that, but this story was, for the most part, a little too boring. I do feel bad saying this, because I still like the idea of such close people/family, but... in terms of plot, after 3 books, perhaps this 4th one could have introduced new situations.

Considering that most of the novel was a little uneventful, when a situation closer to the end, related to Marcus' guilt and his need to move on becomes possible, it was quite the emotional surprise and it offered an interesting view on closure. I liked it that the characters could learn something new and that this might help everyone in the community in the future, but it happened quite quickly and  too close to the end... it made the rest of the story feel like it dragged.

All in all, I really expected more of this story... I will read the next one someday, again with the hope it will bring back the feelings I had when i read the first book.

Grade: 6/10

Sharon Gosling - The Lighthouse Bookshop

At the heart of a tiny community in a remote village just inland from the Aberdeenshire coast stands an unexpected lighthouse. Built two centuries ago by an eccentric landowner, it has become home to the only bookshop for miles around.
Rachel is an incomer to the village. She arrived five years ago and found a place she could call home. So when the owner of the Lighthouse Bookshop dies suddenly, she steps in to take care of the place, trying to help it survive the next stage of its life.
But when she discovers a secret in the lighthouse, long kept hidden, she realises there is more to the history of the place than she could ever imagine. Can she uncover the truth about the lighthouse’s first owner? And can she protect the secret history of the place?

Comment: I got interested in this book while looking for something else. This got in my radar and I wondered if it would be a good story, at least the premise seemed fine... since it wasn't expensive, I've decided to give it a go.

In a small village near Aberdeenshire, there is a lighthouse in a place that isn't very usual, even more so since it is where the local bookshop is located. The business part of things isn't the best but what matters is the local community and those who live nearby enjoy their life as it is. Then, suddenly, two new people arrive to shake things up a little. Toby, a writer, finds the bookshop and its mysterious employee Rachel fascinating, and Gilly, who seems to be homeless, finds comfort and shelter there. However, the bookshop's owner Cullen, an old man is true, sadly passes away and his last words to Rachel seem to be a confused mess, but then Rachel discovers a secret in the lighthouse and the lives of everyone are about to change. Will Toby and Gilly, newcomers, be the help the community needed to maintain the coziness of their lives?

I really focused on the "romance" and "community" words I've seen when this book got on my radar and those were the elements I expected to find while reading. It is a fact these elements exist in this novel, but I will also say I didn't think the plot choices to be as great as they could have been.

The story is told in a very lyric manner I'd say. It reminded me of a tale told by the fireplace, the setting and the story are wonderful details but perhaps not to the extension it has. I liked the story, both the one related to the characters we follow, as well as the one hinted at while they research the secret found in the lighthouse. Perhaps it was how the author chose to tell this story that didn't fully work for me... the writing is correct and fluid enough but it is also a little bland and safe and lacks vibrancy.

All the characters have a past that would be great to develop, to go into more deeply but we are given only surface ideas and situations. This contrasted with the lengthy descriptions of the days going by while everyone is going on with their lives and the little things happening here and there. I can't explain it better, but the writing style wasn't fully suitable, I think the author should have focused on just three or four characters' POVs, and let us infer things about others in a different way, instead of having third person references to so many characters. It got to a point where things were repetitive, not always exciting...

I did like the characters, but Rachel was just too mysterious acting, even though she had a good reason, and this means her interactions with Toby were too superficial and didn't seem to be that important, considering the wording in how they saw each other and what they did together, which wasn't much. It was difficult to see how they would be this amazing couple, although they don't really become one officially, anyway. The romance we do get is actually related to another couple and while I can see how they would be a good match, most things happen out of the page. To summarize, the story has a lot of themes and situations and neither feels really developed.

I did like the local references, some information about Scotland and books, one of the characters is an artist so some interesting details about what she does is also interesting, then when they investigate the lighthouse's secret, those sections were good too. I think the idea of this story was great, and the characters in general as well, but the mix of everything wasn't as fluid as I assume the author wanted. I did fail to establish an emotional connection with everyone, except Gilly, but Gilly wasn't the main character, so she didn't have as much focus as she could.

For most of the novel, I had mixed impressions, sometimes things seem great and captivated me, other times things were boring and I wish we could move on from that moment. Some of the things hinted at, both the romantic relationships and the story hidden in the lighthouse, seemed to not have a matching "reward" in how they were dealt with. I feel the author just wanted those elements to justify plot decisions and not because they were really intrinsic to the main story. It feels some details weren't used as well as they could.

I think my impression is simple, considering what I have written repetitively: the writing didn't convince me, it made everything too bland. I think it started well, it did have good details and offered interesting moments here and there, but as a whole, too boring and without enough bookshop situations, plus the characters were under developed.

Grade: 5/10

Rosie Walsh - The Love of My Life

I have held you at night for ten years and I didn't even know your name. We have a child together. A dog, a house.
Who are you?
Emma loves her husband Leo and their young daughter Ruby: she’d do anything for them. But almost everything she's told them about herself is a lie.
And she might just have got away with it, if it weren’t for her husband’s job. Leo is an obituary writer; Emma a well-known marine biologist. When she suffers a serious illness, Leo copes by doing what he knows best – researching and writing about his wife’s life. But as he starts to unravel the truth, he discovers the woman he loves doesn’t really exist. Even her name isn’t real.
When the very darkest moments of Emma’s past finally emerge, she must somehow prove to Leo that she really is the woman he always thought she was . . .But first, she must tell him about the other love of her life.

Comment: Some years ago I've given a book by this author as a gift to a friend. While in the process of choosing, the author's other title, meaning this one, somehow caught my eye, and I've decided to get it for myself.

Emma and Leo have a great marriage, and their lives have become richer since the birth of their daughter Ruby. Their professional lives are stable as well, and it all seems to be perfect until the day Leo notices something strange and decides to investigate. At the same time, while doing his everyday work of writing obituaries, he is reprehended over a piece he pre-wrote for the wife of a BBC presenter, who has been missing, in case she is found dead. All this things put him in a position of suspicion and Leo decides to look at some details his wife told him, and that he found to be lies. What exactly is she hiding and why? Is there any connection with the BBC presenter and if so, what happened?

The blurb of this book seemed to hint at a mystery/light thriller and that was the main reason why I was interested in reading it. Although this isn't my most consumed genre, I like to try things that might catch my eye and while the plot of this one didn't seem to indicate anything original, I was still curious enough to try.

From the start, this was precisely the idea I had, that while Leo and Emma had a good relationship, she was hiding something and it really seems that her secret is an affair. Things were going well enough, if not spectacular, but I will say I wasn't totally convinced by the first person narrator, alternated between Leo and Emma's POVs. I suppose the tactic is obvious, this way we only get their perspective and everyone knows sometimes narrators aren't reliable. However, this forced way to keep up the mystery elements also made the writing jarring, and I don't think the author pulled it off.

As things move along, I've started to notice that the thriller vibe was becoming less and less intense, so much that around the middle of the book this story looked more like any other woman's fiction novel and not a mystery anymore, even though certain things had not yet been shared. The secrets became obvious, though, and having the book divided into three parts, in which the second (slightly after half way) with Emma's POV twenty years before "explaining everything" was a little disappointing. The third part is actually about how the characters process things, without any real mystery yet to uncover.

As I often do after finishing a book, I've glanced at some other readers' reviews and saw that several believe the issue to have been the mix of genres. it doesn't seem clear what the author intended with this novel, and I agree in part. If it was meant to be a mystery, I feel it wasn't thrilling, if it was more about the characters' development, then the execution failed to keep up the motivation. I've finished only to see if Leo and Emma would still be married at the end, but the story did lack some excitement after a while.

Leo and Emma seem to be a good couple and having access to their thoughts makes me like them, they do seem good people, even though Emma is hiding something. When we find out what, it's really not that bad, well, from a moral POV I mean, it certainly would have been stressful, traumatic and chaotic if to happen to real people. Still, while they are good people, while I understand them, the writing style never brought them to any sphere of uniqueness and they could have been any other characters.

Some of Emma's choices in the present seem to be exaggerated and it does seem that she went too far by keeping such a secret from Leo. I suppose I can understand but at the same time it does feel that her reactions and options weren't really justified.

All in all, this did offer interesting details and it painted a picture of a story that while predictable, it was still captivating until a certain point. I my opinion, writing style and plot choices just didn't do it justice. Again, it's not bad book, but it wasn't as great as it might have been either.

Grade: 6/10

Tal Bauer - The Rest of the Story

Let me earn it.
I keep things simple. I’m a classic one-night wonder. Relationships? Are you out of your mind? No. No way. Not interested. My heart is vulcanized rubber, puck hard, and that’s the way I like it.
Then I'm traded to the absolute worst team in the NHL, the Rocky Mountain Outlaws, and I’m hit with a one-two punch.
First: I’m asked to step up and lead the team, which is every kind of bad idea you can imagine. I'm a head-down, mind-my-business kind of guy. Mr. Uninvolved, Mr. No, Not Me, Mr. Find Someone Else. But these players have been through a mess of hell, and someone thinks I can help pull them together.
The Outlaws are made up of jaded veterans and wide-eyed rookies, and we have no business whatsoever succeeding. We are scrappy and plucky and built out of spit and duct-tape… and whatever we’re doing, it’s working.
Second: The first day I’m in Boulder, I go over the boards and come face-to-face with a pair of blue eyes and lose my heart. Boy, howdy: meet my new co-captain, Shea Darling.
He’s way, way off-limits. It's a stratospherically terrible idea to want or crave him. This crush, this infatuation, is going nowhere fast.
Yeah, right. I’m gone for Shea. I’m head over heels, and I’m all tangled up in something I can’t understand or control. This isn’t me. I don’t fall in love. And there’s nothing simple about Shea, or about the Outlaws. This team is finally putting up the wins, and we are making something of ourselves. Falling for my co-captain while we’re on a Cinderella run could jeopardize everything we’re striving for.
But then there’s this one night.
And this one kiss. And everything changes. Eighty-two games in a season. Twenty men hungry for redemption. One co-captain who could be my forever.
This is the rest of the story.

Comment: This is the third book I read by this author, the second one featuring hockey players. I feel confident already to say I can have a good read on the author's formula and while it's readable and addictive for the most part, his style is also rather cheesy...

Morgan is a veteran hockey player, meaning he is in his early 30s, and he has had a pretty good career but not remarkable despite having won a Stanley Cup once. He feels he might be ready for retirement when his agent calls to say he has been traded to the Outlaws, the worst team on the league. He is reluctant but after contacting a friend in that team, he is told something is going on and the Outlaws need his help. When he arrives, he finds something no one would imagine and he can't truly ignore he needs to help his new teammates. He isn't prepared, though, to find such a quick connection with Shea, his new co-captain, and that he also seems to reciprocate the interest. The focus has to be the team and to bring everyone together as such, but is there hope for Morgan and Shea to be more than just teammates?

As it had happened when I read the other two books by this author, I've found everything to be addictive and compelling for a while, from the start of the book until a certain point. Then, things start to become a little mushy, a little sugary, but I didn't particularly mind, I suppose one gets used to it. My issue is that, just like in the other books, closer to the end, something dramatic! happens and the plot turns into melodramatics. I really think the stories would gain more by not having such highlight on this tactic.

The plot is seemingly simple: Morgan arrives at the Outlaws with the reputation of being a easygoing guy, who does make waves, but he has the experience and confidence to do the opposite, something his friend Gavin is betting on. We soon learn the Outlaws' captain is being authoritarian and the coaches are complicit of this. I never understood why, perhaps laziness, not caring? Anyway, Morgan arrives and very quickly everything changes. The other players, who until now have been psychologically manipulated, suddenly start to work as a team and Morgan seems to be the "father" figure", the real captain the team should have had.

I was actually feeling the vibe of this in a very entertaining way, you know, this fantasy idea that someone is that special, and then, of course, the management of the team changes and all the pieces start to work out. I will repeat the word fantasy, because from a certain point on, that is what this story feels like, even though things don't get magically solved, it still feels as the plot moves on to a very fluid state of things, the puzzle pieces fit in well.

The team becomes stronger, the friendship bonds reveal they are all great guys and that the terrible state of things before Morgan arrived is now firmly behind them. It was a little too fairy tale like, which I've come to conclude is the author's style. Tal Bauer simple needs to write about good people having their HEA while stuff around them happens positively. I cannot say I dislike this but then, it's as if the struggles are just props to force the characters to move a certain way and to, obviously, set up a comparison with the negative aspects when things go wrong.

What happens here to add drama isn't that unlikely to believe, but it's also too much and the guys'reactions seem exaggerated, no matter how much they care about each other as friends and as a team. I have accepted that if I am to enjoy the author's romances, and I do plan on trying others one day, this is just the way things are and if knowing drama will happen, along with sugary romance, then the book would never work. I prefer to think about the "good vibes".

I won't write about the romance between Morgan and Shea, it's too sugary, too easy, too cute, just like the others I've read. Yes, I always feel happy for them, but it's fantasy romance, nor truly realistic.

Nevertheless the issues I could keep criticizing that might fit my personal taste, I still had a good time reading the book, it entertained me, it motivated me to read more by the author and more m/m stories with the themes (hockey+romance), so positive is was.

Grade: 7/10