Emily St John Mandel - Station Eleven

Kirsten Raymonde will never forget the night Arthur Leander, the famous Hollywood actor, had a heart attack on stage during a production of King Lear. That was the night when a devastating flu pandemic arrived in the city, and within weeks, civilization as we know it came to an end.
Twenty years later, Kirsten moves between the settlements of the altered world with a small troupe of actors and musicians. They call themselves The Traveling Symphony, and they have dedicated themselves to keeping the remnants of art and humanity alive. But when they arrive in St. Deborah by the Water, they encounter a violent prophet who will threaten the tiny band’s existence. And as the story takes off, moving back and forth in time, and vividly depicting life before and after the pandemic, the strange twist of fate that connects them all will be revealed.

Comment: I saw this book at the library and remembered how much it had been praised and liked by many readers. I got curious and that was the only reason I decided to try it.

Years ago, a devastating flu killed the majority of the population, and the remaining ones had to adapt to a life without the commodities that have shaped people's lives in the recent decades, such as electricity and technologies. The survivors now live in a world where it is necessary to hunt and to collect things and where remembering the past can be both a need and a curse. Kristen travels with her friends in the itinerary symphony, stopping here and there to play music and to give people theater, just like when she was a young child part of a play, the very day the flu arrived in America. However, things change rapidly and safe places might not be anymore, and friendly faces might have moved somewhere else...

I didn't have many expectations about this book, only the awareness of positive reviews, because I had read another book by this author some years ago and I had not been totally convinced by it. Since this one has had way more ratings and praise, I figured that it would be a better story.

The plot is centered on a flu pandemic that kills most people in the planet at a very quick rate, and not that long after, the survivors need to adapt. This book came out in 2014, and I can see why some people might have thought life imitates art when a certain virus spread in late 2019 and after... Not everything is the same, of course, and the obvious difference is that in the book most people don't survive. I think the author did a good job to convey uncertainty and despair without it being cloying, or so unbearable as many other post apocalyptic worlds can be.

The story tells us the progress of Kristen and her troupe as they travel from place to place and how they see things change, sometimes from year to year. At the back of their mind there is always the hope things might go back to what they were before and perhaps one day cities will provide as they did before. For now, humans group together and try to deal with what happened as best as they can. I absolutely loved the fact this story never really highlights the most negative aspects of what a real situation like this would cause. I mean, some things are alluded, but there is no shock factor in seeing violent and inhumane things being described on the page.

With this said, the story isn't innocent not does it hide from the harsh facts;but it does present this in a more melancholic and almost philosophical way, which really appealed to me. I suppose for fans of "hardcore" apocalyptic worlds, this feels too tame, but I liked precisely that. In between the plot of the troupe, we get to have plenty of scenes from the "before" of several characters, and how they were in terms of personality and choices, and why some might have become who they are now. In some cases, it's really only a matter of characterization and comparison.

I liked the tone of the story and the fact that terrible things aren't waiting for everyone all the time. Yes, some sad things happen, some unfair ones, some avoidable... all things that make human choices be more or less valid, but I liked it that all characters were interesting and weren't all black and white. Even the villain, if we can use this word, is shaped by the past and the aftermath of the pandemic, not because it has always been a terrible person.

The end is one of hope, I think, because many people survived the only way possible, they tried to create small groups /communities in a way that can resemble order and peace just like the civilized societies used to be before the pandemic. Not all is easy to adapt to, of course, but I liked this idea that patience and hope can be half way to maintain sanity and structure to any rules and behaviors. The book isn't big but I think it was a good one to give food for thought, although sometimes perhaps a bit too simplistic. I also would have liked if more attention had been given to other people not just the ones we followed.

Grade: 8/10

Meg Shaffer - The Book Witch

Rainy March is a proud, third-generation Book Witch, sworn to defend works of fiction from all foes real and imaginary. With her magical umbrella and feline familiar, she jumps in and out of novels to fix malicious alterations and rogue heroes like a modern-day magical Nancy Drew.
Book Witches live by a strict code: Real people belong in the real world; fictional characters belong in works of fiction. Do not eat, drink, or sleep inside a fictional world, lest you become part of the story. Falling in love with a fictional character? Don’t even think about it.
Which is why Rainy has been forbidden from seeing the Duke of Chicago, the dashing British detective who stars in her favorite mystery series. If she’s ever caught with him again, she’ll be expelled from her book coven—and forced to give up the magical gifts that are as much a part of her as her own name.
But when her beloved grandfather disappears and a priceless book is stolen, there’s only one person she trusts to help her solve the case: the Duke. Their quest takes them through the worlds of Alice in Wonderland, King Arthur, and other classics that will reveal hidden enemies and long-buried family secrets.

Comment: This is the most recent book by Meg Shaffer, whose previous books The Wishing Game and The Lost Story were very appealing to me, especially the first one, which was really wonderful. Of course, I expected more of the same...

Rainy March is a book witch, meaning that she can travel to the fictional stories and deal with necessary things, such as if someone is interfering with how the story is supposed to go. Rainy is very dedicated and she wants to follow the rules just like her late mother, who used to be known as the best of the book witches. But with the same specificity of good outcomes when the rules are met, there are consequences if something doesn't go according to plan, and Rainy will learn her lesson when her new task sends her to a book in the Duke of Chicago series. The thing is, Rainy has always considered the duke to be her "book boyfriend" but everyone knows one of the main rules of this job is that one should not fall in love with a fictional character, especially if they need to work together to solve some mysteries...

I had a lot of hope for this book, not only because I had the experience of having enjoyed the other books by the author and kind of anticipating her style, but also because the plot seemed to hit on the perfect fantasy for a book lover, such as it is to think one could visit beloved stories.

The plot is divided into several sections, labeled as literary genres, starting with romance, then mystery, and so on. This was clever and a good indication of what type of situation the main characters would find, and I think all were suited for the situations presented. The plot focus on the idea that rainy and the fictional duke go on to solve some mysteries which turn out to have connections with other things and the more they discover, the more complex the story becomes. On the way, they fall in love.

I should say that, in regards to the other books by Shaffer I had read, the magical elements are, as it seems to be the pattern, not fully developed and explained. This can be tiring because I do like some sense in how certain things can happen. However, I think I accepted this element better here than in The Lost Story. Still, I must confess that, out of the three books, this is the one I liked less and my personal grades have gotten lower with each book, with The Wishing Game being an 8, The Lost Story a 7 and this now a 6.

Unfortunately, my biggest issue is that the romance element was incredible vague and too subtle, which means that felt poorly engaging. Then, the second section with the mystery aspects taking the focus was very confusing at times and, sadly, dull at others. I struggled to maintain my attention on what was happening and only when that section ended and new information was shared, did I feel things improved. Still, the somehow confusing scenes continued - along with the lack of explanations for some magical things - and I think the characters never got the depth I think such a story deserved. There are emotional scenes but the characters' attitude was often so all over the place that made it difficult to connect with them.

Then, another element I found a little poorly done was the whole jumping into books and so on element. I mean, as a possibility, this is great and whimsical and dreamy and who is the reader who never dreamed of such an idea? However, the choice of having Rainy and others going from this place to that and so on and never really making is special or memorable and almost only a prop for what Rainy was supposed to be doing for work, was a little disappointing. This element also reminded me too much of The Astral Library by Kate Quinn, a book with a similar premise and plot point, which I had read in July and that I graded low (4/10). The idea just didn't really convince me as I imagined, in either book.

Therefore, this book was good enough in terms of entertainment, it had good details but as a big picture it didn't seem that strong and, honestly, I don't think I'll ever re-read it, not even parts of it.

Grade: 6/10

Yrsa Sigurdardottir - The Silence of the Sea

An abandoned yacht, a young family missing - chilling crime from the queen of Nordic Noir.
The most chilling novel yet from Yrsa Sigurdardottir, an international bestseller at the height of her powers.
'Mummy dead.' The child's pure treble was uncomfortably clear. It was the last thing Brynjar - and doubtless the others - wanted to hear at that moment. 'Daddy dead.' It got worse. 'Adda dead. Bygga dead.' The child sighed and clutched her grandmother's leg. 'All dead.'
A luxury yacht arrives in Reykjavik harbour with nobody on board. What has happened to the crew, and to the family who were on board when it left Lisbon?
Thora Gudmundsdottir is hired by the young father's parents to investigate, and is soon drawn deeper into the mystery. What should she make of the rumours saying that the vessel was cursed, especially given that when she boards the yacht she thinks she sees one of the missing twins? Where is Karitas, the glamorous young wife of the yacht's former owner? And whose is the body that has washed up further along the shore?

Comment: After having read other books by this author and enjoying them, I've decided to try this one too, whose Portuguese cover intrigued me, as suggestive as it looks. 

In this story lawyer Thora is working for a couple whose son, daughter-in-law and two granddaughters went missing from a ship that sailed from Lisbon to Reykjavik and that crashed into the harbor on arrival. It turned out that no one was on board when the police investigated so, what could have happened? Besides the family, there had been just three more people, the crew, and no sign of them either. Thora knows the chance of finding someone alive isn't very likely, but she still needs to follow the protocols to declare them dead, since the couple doesn't have much money and there's yet one granddaughter to take care of, the youngest one who stayed behind. As some clues become revealed about the ship's owners and what happened in it in the past, can this explain what happened to these seven people now?

Apparently, this is the last book in a series whose main character is Thora, the lawyer. I had no idea and didn't investigate properly but it seems the points in common would have been related to the character's personal life and not any cases she worked on, as I've seen happening with the books in the other series I've tried by the author, and that followed a similar pattern.

I was interested in this book because of the Portuguese cover, which seemed very creepy somehow, and added to the premise, this story felt more like possible horror than mystery, but I trusted the author would do a good job as she had done with the other books I had read. It was also intriguing to think this story was being linked to a real case, which might have been used as inspiration for this book. Besides, the idea of doing such a travel by ship seems both fascinating and weird, meaning, without more people as one would expect in normal circumstances.

Portuguese cover

The main intrigue was, of course, what happened to the people, since seven people left Lisbon and no one arrived in Reyjkavik. But, as the plot progresses, we start noticing that many other things, some seemingly more secondary than others, were also a bit too strange, such as why the family decided to travel by ship when they had all planned to go by plane, why such a small crew, what happened to one of them who had to be replaced at the last moment, and what might have happened, intentional or accidental, for no one to be found on arrival?

The story is told in alternated chapters, some from the main POV of Thora (in third person) in which we see what happens after the ship arrives and what procedures are done by the authorities, and the other chapters are mostly focused on AEgir, the son of the couple who contacted Thora, as he lets us know how the journey started and what went on until the two time lines finally connect. I think this tactic really worked here because we can still have suspense and doubts on what happened and the reasons why. 

Of course, some things are a little too convenient, but considering the big picture, i think the mystery was well planned and executed. I think a few details were a little fuzzy and not completely believable if we think about such a small group of people managing certain tasks, but once the revelations are shared, a lot makes sense. I think some of the twists at the end, namely two in specific were very well done, at least I think I've never fully considered those things as options. Although, to be fair, perhaps other readers might have thought so.

Perhaps another thing I can point out is that some explanations are a bit too easy (almost as if something had to be said) and there is a particular sequence of scenes that I've found wasn't done as well, when Thora discovers the actual set of events. It's great that we get answers but I think this part in specific was not as atmospheric as other things had been before. Still, what an adventure... if all mysteries could be explained as we wish...

Grade: 8/10

L.A. Witt - Own Goal

Eight seasons ago, Jarek Badura made the biggest mistake of his career, earning him the nickname “Joke.” He’s been fighting ever since to prove that season was a fluke, and he’s only just started to leave it behind, finally regaining some respect and securing his place as second line center.
But his team just made a new acquisition, and suddenly he’s linemates with the man who was the unknowing catalyst for his fall from grace all those years ago.
After seven long seasons, Hunter Michaud is done carrying his disastrously managed team. An unrestricted free agent, he startles the hockey world by accepting an offer elsewhere, signing with a team that works together and builds on each other’s strengths. And it doesn’t hurt that one of Hunter’s longtime idols is on the roster.
He just doesn’t realize how much his career is already intertwined with Jarek’s.
Or how much resentment is waiting for him in Pittsburgh.
Or how much chemistry is hiding under the ice between them.

Comment: One more book by this author which has characters who play hockey. This book has no connection to the other ones I've read this past July and June, but I thought I might as well get to it. I've also checked that the author wrote another book with this theme, seemingly not connected either, but that one doesn't seem as appealing to me.

In this story we meet Jarek Badura, who is finally feeling he is at the best moment of his career, and that happens mostly because he is in a team where everyone, between players and coaches and staff, seem to really want to work as a team. It also helps he has made real friendships, but his life takes a turn when the team announces the next player they signed up, who happens to be Hunter Michaud, the player he feels he almost destroyed his career for, even though he has no idea. Things start complicated, although Hunter is there to be a team player and not the star others might expect, but Jarek can't help see him through his younger player's eyes... still, such animosity has to give at some point. Will they discover they have a lot more in common than they imagined?

I had a good time reading this one, I think the author did a great job in sequencing things and in making them interesting. I think it's visible how much this story seems improved, in terms of hockey content, from the other ones. Not that I'm an expert, but whatever is shared here seems to be done with more confidence and it is a lot more detailed in relation to what had been used in the other books with the theme.

Some readers complained that the story took too long since we spend a lot of time with Jarek's thoughts about his "mistakes". The story is told alternately by Jarek and Hunter, so this isn't really a matter of pages, but of perception; Jarek's POV is quite set on what he thinks others will think of him if a secret he is hiding comes out, and Hunter's POV is certainly more about his new experience and trying to be part of this team. I liked it that both were out and no one seems to care much in what that means in regards to their hockey abilities (as it should).

I will agree that the perception of why Jarek's thoughts seem repetitive might not be that unlikely, though. He does spend a lot time thinking about what a terrible secret he has, and it gets to the point that, I mean, it really has to pay off, otherwise this would seem ridiculous. Well, the secret is quite serious, more than I imagined, and it does explain his fears and behavior. We might think we would not fall for the manipulation he was caught in, but, seriously, it would not be hard if one is as young as Jarek was when he did what he did.

Anyway, the dramatic issues weren't just props and I liked it that things were given proper meaning when necessary, but I confess my attention was on the romance, which took some time to be developed, a factor I liked, because it did give credence to the guys' feelings when they finally admitted they were attracted to one another. I don't think the romance part was that hard to accept because the tension between them and the common details brought them a lot closer too. So, I believed in them when they started thinking about love.

I liked both guys as individuals, and I liked it that we got to see them interact with their teammates so often, and in funny/special ways, reinforcing the friendship and the camaraderie. I think these things in sports are often only seen for publicity and it's almost as players don't see each other out of work, but I have to assume it's not so. We also see Jarek interact with his sister, but Hunter never really speaks to his family, I will assume due to geographical distance, but... it would have been nice. The fact they have a positive work place also gives credibility to the end of the story.

All in all, I had a great time reading this one. As I've said about the previous book, this is another one i'd re-read if I had the time in the future.

Grade: 8/10

Julie A. Richman - Reel love

The moment I laid eyes on Finn Parker's headshot, I knew that if this guy could act, I wanted him for the hero role in the film being made from my book, Fleeing an August Moon.
The tall, blond, and ruggedly handsome actor looked exactly like the picture I'd seen in my head the entire time I was writing the book.
The studio, however, had different thoughts on a leading man. Box Office crusher, Maverick Dailey, made it clear that he wanted the role. The producers, studio, and everyone involved were thrilled to score such a celebrity. Well, everyone except me.
And it's my vote that counts since, according to my contract, I get final say on casting. Maverick is amazing, yet I'm just not sure...
It certainly didn't help that Finn Parker and I seemed destined to cross paths. We ran into each other all over Hollywood. And the more time we spent together, the more the sparks between us flew. We had an intense chemistry, something I'd only ever read about in books like mine.
Which made me wonder, was I really falling for Finn or just living out a fantasy with a red-blooded, live version of my hot hero character?
It's easy to confuse fiction for reality in Hollywood. Everything is not as it seems in this town.
Not to mention, Finn's life would forever change if he landed the role. Which made me question how good of an actor he really was? Was he interested in me, or the role I had the power to give him?

Comment: I got this book for free from a site I have subscribed to several years ago. Each month a book is made available, all contemporary romances, and some seem interesting, others not as much. I thought the idea of a romance writer and the actor she meets when her book is about to be adapted might be interesting.

Francesca "Frankie" Simonelli has written a wonderful romance which has resonated with readers beyond the label is was sold for. Now, the opportunity to adapt it to the big screen is about to happen and actors are auditioning which is quite exciting for Frankie too. She even has the chance to be part of the process and while everyone seems to expect this to be a formality considering there's a big name indicated to be the protagonist, Frankie can't help but be drawn to Finn Parker, a not so known name. A chance meeting near the beach only solidifies this and they even seem to be come friends, but is Frankie feeling this because of how good an actor he is or because she likes him as Finn? And will Finn finally have his big break or will his feelings for Frankie cloud his goals?

I've started this story without many expectations, and only really thought it would be a good chick lit type of plot, with the usual tropes/situations. In a way, it was precisely so, but until a certain point, everything was being quite interesting and I thought that while it wasn't spectacular, it was quite entertaining.

For some reason, I could not connect with Frankie that easily, though. I can't explain it, after all she is a protagonist I should sympathize with right away, being her a writer of romance and enjoying books and such and being in Hollywood coming from Texas, which means she should feel a little out of place. Well, I thought this seemed to be happening at first, but then, among all the glamour of most scenes, she behaved in such a way that I just could not see it being that easy to be realistic. I suppose I wanted her to act with a bit more doubt in what she should be like in such a different place.

Finn I liked more and his thoughts on what it's like to be in a industry that demands a lot and presents an image of actors and then in real life not everyone has it easy as the movies and social media make it sound. I think his personality was very appealing and I liked how he was dedicated to the potential role, not knowing if he would get it. Perhaps his dealings with his family were a little under developed, considering some scenes towards the end.

As a couple, these two were fine enough but I liked it better when they were getting to know each other and in the process of thinking about the other as more than just a friend or someone to talk about in regards to the movie and how to deal with the glamour aspects of the events they had to attend. Once they got intimate, I just could not see the connection anymore, I cannot explain it well. I didn't see the vibe nor why they would make it in the long term. Although, considering there's a HEA, they will get to have one, of course.

The scenes related to the movie and the acting business, and how there are so many people involved in ways that never get to be obvious for the public, was both interesting and stressful because I could tell some kind of obstacle would happen for the protagonists. Well, this didn't happen as I imagined, but by the time this took place in the story, I wasn't as captivated by the plot and didn't really feel these subjects mattered that much for my enjoyment of the book.

In the end, reading this was good enough because there were some moments that gave me food for thought in regards to themes I don't really pay attention to, but thinking about the romance and the details I thought I'd like, it wasn't as great.

Grade: 6/10

Amanda Eyre Ward - The Lifeguards

Austin's Zilker Park neighborhood is a wonderland of greenbelt trails, live music, and moms who drink a few too many margaritas. Whitney, Annette, and Liza have grown thick as thieves as they have raised their children together for fifteen years. While each of them has their own set of values and backgrounds, they share the belief that they can shelter their children from an increasingly dangerous world. The women's three teenaged sons are about to begin a carefree summer as lifeguards. Whitney, Annette, and Liza's friendship is unbreakable--as safe as the neighborhood where they've raised their sweet little boys.
Or so they think.
One night, the three women have been enjoying happy hour when their boys come back on bicycles from a late-night dip in their favorite swimming hole. The boys share a secret--news that will shatter the perfect world their mothers have so painstakingly created.
Combining three mothers' points of view in a powerful narrative tale with commentary from entertaining neighborhood listservs, secret text messages, and police reports, The Lifeguards is both a story about the secrets we tell to protect the ones we love and a riveting novel of suspense filled with half-truths and betrayals, fierce love and complicated friendships, and the loss of innocence on one hot summer night.

Comment: I cannot remember why this book was in the pile for the past two years, perhaps related to the mix of cozy vibes and light mystery...

In a well established neighborhood in Austin, we meet three friends, Liza, Annette and Whitney, as they go on through her days in the follow up of a crime which happened nearby. A young woman was found dead but the reasons aren't clear, although it seems their sons Charlie, Bobcat and Xavier, respectively, were in the area at the time the woman apparently died. While this situation brings surprising fears and reactions which might have been overlooked before, each woman also needs to deal with personal issues related to who they are and to their roles in their families. Is this too much for them to bear? How will their friendship resist all the surprises?

This is the first book by the author that I try and, therefore, I had no way to compare to other things by her, but I will be honest and say that there were times this story reminded me of Big little Lies by Liane Moriarty, only in the sense we have the POVs of different characters and they are dealing with a secretive situation while dealing with personal issues, some of which feel very bland and almost silly. This gave the story a cozy feel, actually, and I felt easily invested in learning more about the protagonists.

An interesting fact is that while we get to know what each protagonist is thinking, only Liza's is in first person. Perhaps because she was the most necessary protagonist? Perhaps because we are meant to root more for her and her difficulties? We also have two or three times small chapters, let's call them that, from the boys' POVs, which is helpful to understand their personalities, and to give us a better setting to the events that led to their presence near the spot where the woman died.

The three friends have some things in common but their inner thoughts hide a lot more than they let the others see. Are they really friends, then? I liked these differences between them and knowing about what they fear, about their backgrounds and their family dynamics made for a very rewarding read, that is true. In fact, if the story had been a straight woman's fiction without as much attention to the secondary investigation, perhaps I'd have liked this for the women's journeys alone.

Still, in a way, I cannot say the combination of things didn't work, because for the most part, it did. I was really into the plot and even having the police detective Salvatore and his family dramas, as well as the potential of his character in relation to one of the female protagonists, was another good feature. Everything seemed intriguing, but then the author added two or three more elements and that is where things started to feel they were losing focus.

I think what disappointed me in this book was, ultimately, the execution of the last chapters. To be fair, the resolution of the dead woman's case wasn't a big factor for me because the events are understandable and I was more focused on other things. But these things, namely some issues related to the protagonist's lives and situations they had to deal with, seemed to lead to a climax, a high point and then it all fizzled out. The author hints at possibilities and then, that was it! An epilogue follows, some things I could infer, but the majority of loose threads remains exactly so! I mean, in another type of book, fine, but here, after all the build up, that was frustrating.

Thus, I've finished with a slightly disappointing feel, because I wanted better and/or more suitable choices for the end, considering what the premise promised. I also think that most characters were interesting but many were also under used, such was the potential.

Anyway, this had its good moments, but what a pity the author didn't go in a different direction at the end.

Grade: 6/10

Louise Penny - The Cruelest Month

It's Easter, and on a glorious Spring day in peaceful Three Pines, someone waits for night to fall. They plan to raise the dead??? When Chief Inspector Gamache of the Surete du Quebec arrives the next morning, he faces an unusual crime scene. A s??ance in an old abandoned house has gone horrifically wrong and someone has been seemingly frightened to death. In indyllic Three Pines, terrible secrets lie buried, and even Gamache has something to hide. One of his own team is about to betray him. But how far will they go to ensure Gamache's downfall?

Comment: This is the third installment in the Inspector Armand Gamache series, following the investigations of this inspector and his team in a Quebec area, mostly in Three Pines, a charming village but where murder happens with frequency.

In this third adventure, a woman dies while being part of a seance. At first it seems she simply died due to an intense fright, but evidence reveals she had been drugged and now it's up to inspector Gamache to discover who would have hated this woman so much to the point of finding such a way to kill her. At the same time, something is going on back on the Sureté, and inspector Gamache is facing vile attacks in the newspapers, seemingly still connected to the Arnot case, exposed by Gamache. In this game of cat and mouse, who will prevail?

There is no doubt whatsoever that Louise Penny found her groove and her place with this series. Although this is only the 3rd book in 20 or something, I can already tell this will be consistently engaging and with plenty of food for thought. The author includes notes in some installment telling the reader about how the success of her career came in late, but it it totally worth it and these books are police mysteries but also studies on human nature and I have to agree.

It is true the base of the books has been a murder and how the police investigates. But unlike stories where what matters is the whys and hows, in here the real importance is on the psychology of the assassin and what happened to make someone do something like this. I really like thrillers/ crime stories where the key elements are psychological/philosophical and not how many people die or how terribly. However, I can see how this might sound a little repetitive and, perhaps, boring, to other readers.

The plot of this book is divided into two themes. Inspector Gamache needs to investigate the case and needs to deal with the personal issues at work. This second theme has been going on since book #1 and has had a good enough resolution but things weren't completely solved, i think, and there's room to keep up the subject, although I will be honest to say that, while this does add interesting clues on human behavior and layers to some characters, it also distracts from the main plot, which I think is more captivating. I understand why the author feels this matters too, but... I hope it won't be highlighted as much in future books.

The process of reading these books is great, in the sense that I keep wanting to turn the pages and see what is next in terms of investigation and who will be interviewed after, and what kind of specific dialogue they will have which is supposed to give us clues. The exercise of seeing each character sharing stuff and then the reader having to read between the lines is quite engaging. The author's talent shines in this, because often little things or more philosophical things are included in poetry, culture history and geography hints/content and I just love having these things as an educational plus.

The case seems complicated but, of course, once everything is presented and explained at the end, and the pieces fit, all makes sense in an almost too simplistic way. The real wonder is, as I've said, the psychology of what made the killer do this, and how incredible it is to see that sometimes something that seems ridiculous or vital is seen in a totally opposed way by someone else. We humans are, indeed, complex and fascinating.

Some twists pertaining to personal issues probably will surprise some readers but I will confess I wasn't amazed by what we learn here about some characters. I don't know if it having read too many books and recognizing some red herrings, but I only felt happy my suspicions were matched. Still, it is always fun to see how some things surprise the characters. Let's see what the author will do in the following book regarding the new things we learned here.

Grade: 8/10

Catherine McKenzie - Forgotten

An endearing story of discovery and transformation...
Emma Tupper is a dedicated lawyer with a bright future. But, shattered by her mother’s death, she fulfills her dying wish by embarking on a month-long trip to Africa. There she falls ill, and spends six months trapped in a remote village thanks to a devastating earthquake. On her eventual return home Emma discovers that her friends, boyfriend, and colleagues thought she was dead and that life has moved on without her. As she struggles to recreate her old life, throwing herself into solving a big case for a client and trying to reclaim her beloved apartment from the handsome photographer who’s taken over her lease, everyone around her thinks she should take the opportunity to change. But is she willing to sacrifice the job, relationships and everything else she worked so hard to build?
Forgotten is the story of one young women’s life, broken down, reconstructed, and forever altered – a modern twist on the classic tale of discovering who we really are when everything that brings meaning to our lives is lost.

Comment: I've had this book in the pile for years, likely due to some recommendation or something, and now I've finally added it to my monthly lists, but the result wasn't as great as I hoped for.

Emma Tupper is a lawyer who is almost at the point of becoming partner, but sadly she looses her mother and one of her last wishes is for Emma to travel to Africa, since she had never been able to do the same. Emma agrees, at some expanse of her career, but nothing goes according to plan because while there, she becomes ill, left abandoned by her guides and on top of it there's an earthquake on the country and many are killed or missing, which includes Emma. For months, she could not contact anyone back home, in spite of the help of another British couple, and when the airport finally re opens, Emma is able to go back home, although her attempts at contacting her friends aren't successful. Everything becomes dire when she arrives and her apartment now belongs to someone else, and her car is gone. Everyone assumed she had died in Africa! What new life is waiting for Emma, then?

What an incredible premise, even if it's not as original as it seems to me! I was so eager to see how Emma would cope with the changes in her life, as well as how those around her would now react to the fact she is back and for six months all of those who knew her assumed she had died. Psychologically, this would certainly be the key element in this book, I thought!

Well, not really. I'm so sad over this because the story ended up being very dull and never really touched the things I wanted, such as how characters would now interact with Emma after going on with their lives thinking she was dead, especially her close friends and at work. These things were mentioned and we see some of it going on but it's all so superficially done and without real emotional impact. I felt I could be reading about anything else because no character had any depth.

Unfortunately for me, the writing was not very captivating and that obviously affected my lack of enjoyment. Besides, Emma is the protagonist and narrator of the story but to be honest, I never warmed up to her nor did I particularly feel she was someone to root for or to sympathize with, although she had gone through something that should have affected her a lot more than she let on. At first, I assumed, the point was to stress out how people react differently to trauma and that her apparent numbness would evolve to something else, but no. She remains aloof despite the things piling up around her.

At some point she talks to a police officer regarding some bureaucratic stuff and he advises her to seek a psychologist to deal with this whole thing, if only to help her with dealing with those who thought she had died, for certainly they would not be the same people she left, but even such a key scenes led nowhere! Nothing really happens to make an impact on the story. I think the author used this tactic a lot, declarations or advises given which might lead to some important moment, and then nothing.

It is also hinted at that Emma will use this situation to think about her life and what she wants for the future. I feel this didn't really developed as is assumed, because she doesn't really change much in her life, and is even able to get her old job back, more or less. What lesson did Emma learn? I think the changes in her life were all easily sequenced and dealt with in ways that didn't really cause a difference in her way of thinking and of living. Sure, we see scenes in which things change for her, but not in ways I feel such a premise might led to, somehow.

There is some romance content but this was also very superficial. Then, at some point, we see Emma give a lot of attention to her job and stuff pertained to it and I don't think the author really highlighted this in relation to what it meant for Emma's way of processing what happened. If that was ever the goal, i mean. Although, otherwise, why bother? If this was meant to be that important, then I think the plot really was poorly planned and the story badly executed. I've finished without much sadness over the fact it was done. Reading this book was fine, but not emotional, and I will not remember it in the future, I bet.

Grade: 5/10

Lucy Foley - The Guest List

On an island off the windswept Irish coast, guests gather for the wedding of the year – the marriage of Jules Keegan and Will Slater.
Old friends.
Past grudges.
Happy families.
Hidden jealousies.
Thirteen guests.
One body.
The wedding cake has barely been cut when one of the guests is found dead. And as a storm unleashes its fury on the island, everyone is trapped.
All have a secret. All have a motive.
One guest won’t leave this wedding alive . . .

Comment: This book has been in the pile for years and I think I've added it because several friends had liked it and I got curious over such a majority of positive opinions.

Jules Keegan and Will Slater are a hit couple and are about to be married in an island, something very recent but very exclusive, managed by the couple Aoife and Freddy. Several guests will travel for the big day but a few will arrive earlier and all expect the best wedding ever. The problem is that everyone has some kind of secret which they don't others to know about, even if it means to stop someone from speaking out, but at what price? Who is being honest and who isn't, and who should be trusted?

After such hype and good opinions, I confess I expected something great, especially when the book is also described as "the perfect whodunit" in the cover. This even won a GR award and that made me even more curious but to be honest, now that I've finished, the sentence that comes to mind, and that I probably will keep from this book, is the following, thought be a character at some point: "they're like children without their parents present".

The thing is, for me this story felt rather weak because all the characters behaved incredibly bad and most of the time they acted like children without supervision. Were those adults really doing silly things as if they were still in school without any kind of consideration for others and for what they were supposed to be doing there? I cannot see the appeal. I also think the fact that every character is despicable or isn't likable made me find this story very annoying. 

The plot is set on a huge amount of resentment and bad decisions the characters did at some point in their lives. It also depends on many coincidences fitting in at the end, when all the secrets that matter are revealed to the reader. I think some transitions were interesting, namely how the characters really connected, but at the same time, what they were hiding wasn't really shocking, but mostly abhorrent in terms of morals and respect for others.

When we finally have the clues linked and the identity of the victim and of the killer known, I wasn't very surprised. Not that some things weren't well done, they were, like the real reason why the setting is the island, that was a good twist, but the real impact of these things and why they should matter in regards to how the story had been presented and developed lost strength and I think that happened due to the narrative choices.

The story is told in first person by five different characters, and then we have a few chapters in third person just to help with the tension in between key moments. The whole thing happens in three days, which means a huge part of the story is shared by the characters' inner thoughts. We get to know a bit more about the bride Jules, the best man Johhno, the bridesmaid Olivia, the guest Hannah and the wedding planner Aoife, but to me this didn't work. Yes, usually first person works great in thrillers but here not really, since everyone was awful and I didn't feel really invested in rooting for anyone.

I think the very last explanation for why the killer murdered the victim was a good one, psychologically speaking, but until then there had been so many annoying things that, I don't know, it all just fizzled out for me. It's hard to imagine real people would act and think the way these characters did and that they would have friends! Anyway... I wasn't fully convinced.

Grade: 5/10

C. L. Beaumont - The Sea Ain't Mine Alone

For James Campbell, winning the 1976 International Surf Competition is the ticket to his future. It's his chance to finally reclaim his life, move on from the war, and make a living doing the only thing that keeps him from walking away from it all. But his best laid plans are upended completely when two-time Billabong Pipeline Masters Champion Danny Moore steps up next to James on the starting line. Danny is a young, mysterious, unbeatable big wave surfer. He's man that nobody on the surf circuit can stop whispering about. For the first time since being shipped back home from Vietnam, James is captivated. That first fleeting moment turns the tide for both men, setting them on a path that crosses oceans and defies all odds.

Comment: I saw this book being recommended and I got curious about it and that is why I read it now, at last.

It's 1976 and Jimmy Campbell is about to participate in an international surf competition, hoping to win it and to improve his life, especially after having returned from Vietnam with no prospects. He wasn't counting on Danny Moore, a young guy who has won many competitions and who has the reputation of being arrogant and a know-it-all. However, Danny doesn't win this time and Jimmy has the impression he might have let him win, actually, but when they finally have a conversation, something seems to change between them. Could it be that these two, seemingly lost souls, have finally found the person that complements them?

I became curious about this book for the romance, because to be fair, I don't know much about surf nor do I think I'd really want to, although I can appreciate the idea of it and why so many people cherish and live for it.

Thus, to me, the fact these characters are "professional surfers", even though they still have to have other jobs to really make a living, is really only a way to an interesting setting and to see them in an environment that includes a lot of water, beaches and sand stuff. It sounds great but since I'm not a fan of going to the beach, this is enough for things to seem different from my usual preferences. There is a lot of surf elements but the most specific details passed me by, in fact.

The story is set in 1976 but apart from a few references, I really can't say the historical setting was that obvious. Perhaps the beach scenes and the majorly focused situations on the subject of surfing made me feel things are quite concentrated without much room to compare with other elements one would link with an historical vibe. For instance, the descriptions of places, everyday routines and social aspects could be seen in any other period from the 1970s on, which doesn't have to be bad, but...if the point was to stress out the historical stage and how that would have affected the guys' relationship, I conclude this wasn't really necessary, considering their backgrounds. I guess, it suited the Vietnam allusion.

The true interest of this book is the romance, I think, and in a way it might be because it's seen as forbidden. Being gay in the 1970s wasn't as now, but these two manage to find themselves in a very solid relationship, for all purposes, as soon as their feelings become acknowledged. Until this happens, I think the tension was done quite well and I was always wondering when would it happen that they kissed or that they could tell each other that they saw them as more than just a competitor and then a friend.

I also think the author has a very poetic way of presenting things, of wording certain scenes and descriptions and the mix of all of this made for a very emotional reading. Also, with such a theme at such a time period, it's not surprising that both Jimmy and Danny didn't have a good past when it comes to how their families dealt with things, mostly Danny's. Added to the fact they had to deal with depression and some self harm thoughts, this could have been quite sad to read, but I think the author found some balance later on, once they get at the same point, feelings wise.

To me, apart from some plot choices, what didn't work as easily was how long it took to develop certain things in detriment of others. Some situations dragged, while others happened in a way that seemed rushed and this made me feel the heartfelt /poignant moments lost some momentum here and there. It was also a little disappointing that we didn't have more about the Oahu island and native communities, considering the setting was mostly there.

All in all, this was interesting, romantic enough for I also have the feeling it could have been a lot stronger, overall.

Grade: 7/10

TBR Challenge: Julie Klassen - The Secret of Pembrooke Park

Abigail Foster fears she will end up a spinster, especially as she has little dowry to improve her charms and the one man she thought might marry her--a longtime friend--has fallen for her younger, prettier sister.
When financial problems force her family to sell their London home, a strange solicitor arrives with an astounding offer: the use of a distant manor house abandoned for eighteen years. The Fosters journey to imposing Pembrooke Park and are startled to find it entombed as it was abruptly left: tea cups encrusted with dry tea, moth-eaten clothes in wardrobes, a doll's house left mid-play . . .
The handsome local curate welcomes them, but though he and his family seem to know something about the manor's past, the only information they offer Abigail is a warning: Beware trespassers who may be drawn by rumors that Pembrooke contains a secret room filled
with treasure.
Hoping to improve her family's financial situation, Abigail surreptitiously searches for the hidden room, but the arrival of anonymous letters addressed to her, with clues about the room and the past, bring discoveries even more startling. As secrets come to light, will Abigail find the treasure and love she seeks...or very real danger?

Comment: August is here and I, for one, can't wait for it to end. I'm not a fan of hot weather ( I was born in the wrong country for certain) and at work, this is the busy season, so.... anyway, the theme for this hot month at the TBR Challenge is "backlist banger" and I've picked an author whose work I have enjoyed and of whom I still have several books in the pile to read.

Abigail Foster and her family have had a terrible blow because some of her father's investments have proven to be disastrous and now they need to downsize and Abigail is in charge of dealing with the finances. They find a promising house away from London due to a specific connection but it seems the house and the family members who were there before hid some secrets in the propriety. However, Abigail enjoys this new challenge and even makes friendships with their neighbors, namely the young parson, and things seem to go well, until a new person shows up claiming to be a direct descendant from the house's owners. As things muddle up, Abigail's mother and more attractive younger sister arrive too, and Abigail sees herself in a confusing situation...

I have read several books by this author by now and I have liked many of them while others weren't as great for me, in the sense of comparing them all. The author writes Christian fiction but this isn't the element that makes me like a book less, although it did affect some reader's opinions. To me, the biggest flaw has been the focus on negative/sad aspects, probably to highlight the Christian content. Sometimes this doesn't bother me because the narrative is incredibly captivating. Other times, it only makes the story feel a little boring.

I think this book falls into that slot, as opposed to the ones I gave higher marks to, because it just drags. At some point the central plot point, related to the family who used to live at Pembrooke Park, simply drags and drags and I started thinking to myself "when will this be solved" which is not a good indication, because the same story could have had less 60 or 70 pages and we would loose nothing about it. Some more editing would have helped, I think.

The whole thing is related to a supposed treasure the previous owner hid or wanted to keep protected. Things get to a point I could see right away what treasure it was, but by then all the moves had been in play and the characters kept doing things that instead of looking consistent to what would be an obvious step, just delayed concluding something. I wanted to yell at them to hurry up, because I wanted to finish the book and start my next one.

Some situations related to the mystery of the treasure and to what happened to the previous owners seemed to become more confusing as things went along. At some point I confess I no longer cared for this, because I knew it would be easily solved, and the explanations in the end proved me right. I suppose that for books that mix different genres, some elements always seem to be presented better than others.

I liked the heroine and her sense of self, her awareness of why certain things didn't happen easily for her. I thought the obvious contrast to her more flirtatious sister would be used later on in a more effective manner, but nothing happened in the way I imagined. Still, I liked her for being quiet, considerate, thoughtful and for understanding her surroundings. I also liked the romance and the person she ends up with. The romance is certainly on the sweet and demure side but I think the author manage to portray their compatibility well.

The end of the story is not very surprising but I liked how some loose threads were put together and I liked knowing that the characters I wanted to find their happy end, did so. I place this book in the middle of the pack, in my personal list of what I've read by the author until now. I do appreciate the consistency and the ideas but sometimes I also wish the author would be more daring in what should happen, plot wise, and less keen on dragging gloomy stuff.

Grade: 6/10