After Sonya, her boyfriend, Trey, and their friends are forced to hear, see—and feel—the suffering of the house’s many ghosts as their torment is reenacted by the evil presence, their bond only strengthens and their anger is renewed. Refusing to let her spirit be broken, Sonya searches each room for clues to her ancestors’ hidden story, putting the picture together, unearthing small treasures, and uncovering the moments of joy that existed among the sorrows. She’s determined to bring light to this haunted place—to fill it with people, with life and hope, once again.
But the enemy in the black dress continues to hover, to come at her in frightening forms. They may be illusions—but illusions can be powerful enough to wound and kill. She feeds on fear, and lies are her weapon. This dark-hearted witch wants to be mistress of Poole Manor, at any cost. And Sonya will need to fight a battle across two realms to finally take possession of the house on the clifftop—and of her own future…
Comment: This is the third and final installment in the Lost Bride trilogy by Nora Roberts. I liked the first book, thought the second to be unnecessary and this third one felt like a good enough conclusion but that was it.
After realizing that she needs to find the seven rings so that the manor where she plans to live becomes free from the evil ghost of Hester Dobbs, Sonya decides she won't give up the search even with some setbacks. Along with boyfriend Trey, friend Cleo and cousin Owen, she goes on with her routines but she also makes an effort to find the clues which lead her to the rings, even if that increases the anger of the ghost. But Sonya has built a life here now and she wants to help those around her, as well as the other ghosts trapped in the manor. But will she succeed before the ghost of Hester does her most daring attempt yet?
I will repeat what I said about the second book, which was, in my opinion, avoidable: this story, all three installments combined, would have made for a much better standalone. Certainly, with less elements but to be honest, the scenes we are given in these three books, especially the 2nd and 3rd ones, could have been easily edited into a single story. Or, as the author often did in the past, if each book were to be focused on a different main couple, perhaps that sequence between books would not feel as repetitive.
The first book presented the idea and developed things in a likable way, mainly because I like the author's style. The second was a constant repetition of the same thing and this third book concluded loose threads, which was obviously intentional but at the same time it maintained a certain superficiality and thinness of plot that surprised me a little negatively, since I know the author has done so much better in her past.
Basically, nothing major happens and what does happen could be summarized into half the pages, I'd say. In fairness, I had a good enough time reading and being involved in the comfort of the routines in these characters' lives, but that isn't enough. Sonya and the others accomplished the necessary tasks to defeat the evil ghost, they do find the clues about the rings, we get to see a (very) quick resolution to her past with Brandon, we see a perfect bow to their personal lives, as couples - Sonya and Trey, Cleo and Owen - but all this was shared in such a polished, perfect writing style that it read to me as lacking passion, a touch of drama and some unpredictability, which the author was known for.
Everything about Sonya and those around her fits the perfect mold of the idea the author imagined. This is good, all things well aligned, but there is no real challenge into what is happening. Even the whole quest about the rings and such is terribly superficial, well used in each scene and idea and it was, frankly, boring. I also missed some more character interaction, mainly with the secondary characters, who were all perfectly established in Sonya's sphere and played a role, didn't read as real people.
I especially disliked how the romances were presented. No passion, no angst, no real doubt on whether they would see each other differently, no slow falling in love while wondering what was the other that appealed to them. The romances were consensual and practically discusses as a given, so no sexual tension nor self awareness, which was something the author did wonderfully in other books. I mean, the author is very talented, a perfect user of the craft, as she likes to call it, but the result in this trilogy was, for me, as if this was a computer program of steps to accomplish, and not an always heartfelt story.











