Soon after, Adrian was dropped off at her grandparents’ house in Maryland, where she spent a long summer drinking lemonade, playing with dogs, making a new best friend—and developing the stirrings of a crush on her friend’s ten-year-old brother. Lina, meanwhile, traveled the country promoting her fitness brand and turning it into a billion-dollar business. There was no point in dwelling on the past.
A decade later, Adrian has created her own line of yoga and workout videos, following in Lina’s footsteps but intent on maintaining creative control. And she’s just as cool-headed and ambitious as her mother. They aren’t close, but they’re cordial—as long as neither crosses the other.
But while Lina dismisses the death threats that Adrian starts getting as a routine part of her daughter’s growing celebrity, Adrian can’t help but find the vicious rhymes unsettling. Year after year, they keep arriving—the postmarks changing, but the menacing tone the same. They continue after she returns to Maryland and becomes reacquainted with Raylan, her childhood crush, all grown up and as gorgeously green-eyed as ever. Sometimes it even seems like the terrifying messages are indeed routine, like nothing will come of them. Until the murders start, and the escalation begins…
Comment: Another one of the single titles written by this prolific author in the recent years. This one was published in 2021.
I don't think it's too much to repeat that this famous author has a formula, has a pattern of writing and this book is no novelty from anything else she has published recently, if one is a fan. At the same time, it fits all the expectations, it's easy to follow the ideas presented and if there isn't as much originality as one might like, that isn't a surprise either. For me, the style and shape are very familiar and I like the comfort it gives me to read something I can predict how it might go.
In fact, I must say that predictability is something the author's books always have... perhaps - and this is my biggest complaint about Nora Roberts' work since a few years now - the stories feature very predictable behaviors and developments and the characters always seem to have a grasp or a control over their lives, as if so many steps are "staged". I still remember the older romances, or the sagas where often things were very alike from book to book but the characters were, somehow, more charismatic and spontaneous. This doesn't mean surprising delight never happens, for instance I've read The Liar in 2020 and it fit all the boxes for me to like it more than others by the author.
Adrian and her mother excel at fitness programs and how to sell that idea to others. It makes the life of everyone easier but Adrian did act with certainty a lot of the time and her only doubts were easily vanquished. Sometimes this can seem a bit annoying, I confess.Despite that, I liked her and the fact she wasn't conceited or spoiled as she could but of course I could trust Nora Roberts to create a likable heroine. I can't say if the fact we have scenes with Adrian as a child, then as a teenager and then as adult mean we can more easily see her evolution or that said evolution feels even less spontaneous since everything she does at any age is always the obvious behavior.
The hero does go through more challenging issues in life, but he is quite easy to read as well. I wouldn't mind characters who would be more layered, complex...but then, I do appreciate the fact I know they won't be hard to like so this is tricky to explain. I liked Raylan and how he comes to be part of Adrian's life, I liked seeing certain things through his perspective, I especially liked he isn't one of those heroes who has to be convinced his feelings are more intense than what he believes, but he is a bit too perfect sometimes.
There isn't much to say about the plot, to be honest. Every decision, every situation is described and presented perfectly, within the right boundaries, never to be a reflection but to offer the best type of conclusion.. I know this is too reductive to the actual work the author does, but I still like her books, so I can't complain that much. The most debatable element is the suspense one and who might be after Adrian but t be honest again, in this book, that element of surprise is totally lost.
I don't think the author intentionally makes it a really complex job of keeping the identity of the villain hidden, it's just not the focus here, although this is kept a mystery until the last chapters. But as soon as I read a certain passage, quite early on in the story, I immediately thought of someone and I was proved right. I only had a second of doubt in the middle of the book because of yet another specific passage but my initial idea was correct, which means this doesn't have a true psychological or suspense content, but it's something to add conflict and delay to the HEA.
I stopped reading her newer books a few years ago, after many years of buying all her work upon release; I still have The Liar (started reading, set aside shortly after, haven't touched it since) and Come Sundown (haven't even started it), and that's when I realized I was pretty much done with her.
ReplyDeleteI used to love that sense of comfort you mentioned, even though the characters tend to belong to certain types and, as you say, there tend to be few surprises there anymore. Earlier in her career, there would be some characters, especially heroines, that would really intrigue me--like Naomi in The Obsession or Abigail/Elizabeth in The Witness--but lately they feel too formulaic.
Of course, I can and will likely keep re-reading her work for many years, so not all is lost.
It is true, sometimes things seem too repetitive. Things started to change for me from the bridal quartet on. I'll rephrase: I've started to notice a less than thrilling experience reading with the books from that quartet on. Somehow, it feels that from then on, her work was too repetitive and the characters always perfect, even the villains in their actions. She seemed to be too careful with writing, if this can even be seen as a flaw...
Delete