Nicholas Claiborne hasn’t stepped foot in England since watching Ellie marry his cousin. He has no use for the gorgeous, heartless girl who betrayed him, or the title she abandoned him for. But when his business in India turns deadly, Nick must return to London to uncover a murderer–and take revenge on the woman he couldn’t force himself to forget.
Nick hates Ellie’s transformation from sweet debutante to jaded seductress. Ellie despises him for leaving her behind. Still, the sparks between them reignite the passion that should have been their destiny. As their demands of each other turn darker and a potential killer closes in, they must decide whether to guard the fragile remnants of their hearts—or find a way to fall in love all over again.
Comment: One more month gone and it's now time for a new TBR challenge post! For April the theme is "no place like home" and in my mind I imagined someone returning home after being away for a long time, for that feeling of cherishing home is certainly stronger in that situation. It just happened that I had already planned to read this book this month, about a man who left his country and is now back to take charge of his estate, thus my choice was easy this month.
I find these lovers reunited stories very boring in general, because there are pages and pages or scenes popping up all the time about past memories, about reminiscence, about past events/situations which cannot be changed and that, nevertheless, affect the characters and their choices in the present. I was, I admit, rather annoyed at Nick and Ellie for how they behaved in the past, but even more so for how they are now and the type of actions/behavior they have. This meant that while the story had its appeal, and I was curious to see them interacting with the secondary characters, their actual romance and reunion was boring as everything.
Certainly that this is a personal interpretation of the story line, and the reunion the actual purpose of the plot, but I struggled to find interest in what they were saying and doing. Most times I was annoyed because a frank conversation both in the past and now would make things easier - if not solving the conflict right away - but when this does happen to minimize the problems between them as I predicted, many chapters of silly games had already happened, increasing my general displeasure about them as a couple.
In the past, Ellie accepted to marry Nick's cousin because it was what her father wanted. However, I could not sympathize because in the now, the father is no longer in the picture and Ellie is sometimes acting as a jaded widow, and I just could not empathize with her. I think we are supposed to see her as becoming colder or cynical because of her past experiences, but I think I'd have liked her more if her choice in the past had been for a greater/stronger reason. Pleasing a father in an historical context might have more importance than in a contemporary one somehow, but I don't think the author wrote things in the best way to make the reader (well, me) convinced that those reasons had been the only possible ones.
Perhaps I can add that, in general, the writing of this story was not very.... satisfying. Perhaps, in part, it's the trope's fault, always something I'm already beware of, but the characterization of Ellie and Nick in the now just did not made me root for them. I knew the end would be that they would become an established couple again, but the process was not a romantic nor sweet one enough for me to think of them as a successful one.
Nick, as well as Ellie, is now a more experienced person in relationships with others and this did affect his behavior into something less understanding. But I could put this aside if his goal was to win Ellie back or to find a way to finally get answers, but his silly games of revenge and how the author invented a way for them to need to be together while they didn't want to nor needed to, was really frustrating. Silly sexual revenge games did not make me think of them as a romantic couple, and when, supposedly, their feelings are romantic and happy again, I was no longer interested in them.
I think the "no place like home" notion that prompted my choice was well achieved, for Nick does return from India and he does reminisce about his home and his younger years, and the story ends with an HEA for him and Ellie in his current role, and estate.
It's always interesting to me how we readers bring our own baggage into the reading experience. For example, I can't read the "second chance" trope when it's a contemporary story about a divorced couple--my personal experience makes it so I can't suspend my disbelief at all.
ReplyDeleteOn the other hand, the same trope tends to work for me when it's setup like in this book: they were in love while very young, separated by circumstances (class, parental decree, etc), and reunited as adults. In those cases, I don't mind the reminiscing, as the past informs the present for everyone, and when it's well done, it highlights character growth.
But I can see how, if the trope is already something one doens't like, any and all passages with past history are salt on the wound, as it were.
Unless someone is incredible proficient in meditation, like a monk in Tibet or something, it's highly unlikely to NOT allow what we've seen or did or saw or heard impact the new experience in front of us...
DeleteI suppose that, for me, the true wonder of a book is that, sometimes, this trope does work and the never ending search is what makes reading fun as well :D
I feel like I have read so many books that have this one's problem, a lame excuse for keeping them apart. It just doesn't work if the whole time I'm thinking, Just talk!
ReplyDeleteI think that if the rest of the story had been more appealing to me, perhaps that detail would not have been as glaring as it was. :)
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