But when Aiden Graves shows up at her door wanting her to come back, she's beyond shocked.
For two years, the man known as The Wall of Winnipeg couldn't find it in him to tell her good morning or congratulate her on her birthday. Now? He's asking for the unthinkable.
What do you say to the man who is used to getting everything he wants?
Comment: So far, out of the 13 books GR says Mariana Zapata has published, I've now read 9. As it always happens with any author who has published many books, of course I've liked some more than others, and this one, which I know it well liked by the majority of people who like the author's work, sadly didn't end up on my top favorites.
This author certainly has a unique style and beyond the "slow burn" types of plots all her books have, the most obvious detail is her first person female narrators. I usually don't like this much in romance but when well done, it's not so annoying. Of all the books I've read by the author, I'm now used to this choice and sometimes I can even overlook it if the plot is fascinating, but sometimes it's too glaring. In this book, there were times where this tactic felt so unfair...I say this because the heroes are distant and grumpy per nature, when compared to the heroines, but not having their POV makes them feel extremely poorly developed and here that just seemed more obvious.
Vanessa, as heroine and narrator, is a sympathetic character, she has faced some traumas in the past - all the author's heroines face some difficulty or challenge - mainly psychological due to her family issues, but also some physical. As the story develop, we are slowly given information on what and how, and the consequences to Vanessa's self esteem, but since she is telling us the story, most time she seems to be a friendly and sometimes bubbly type of person, even when she's being mad or annoyed at something.
The heroines in mrs Zapata's books are always approachable and this is practically a requirement, otherwise how could these stories be palatable since the heroes are quiet and silent figures? I think the reader is supposed to infer a lot from the heroine's descriptions, but there are scenes and situations where this fails to be obvious and there are times I felt Aiden was too distant for too long. Some of his actions, such as looking for Vanessa to propose the marriage deal, felt a little out of character. This is what can happen if we only have one side of things or if some things are deliberately not shown.
Most of the story is about the evolution of Vanessa and Aiden's relationship, but to be fair I need to say they aren't demonstrative people and it can feel as if the romance is non existent. When they finally get together for real, the story ends one chapter and one epilogue later, so... of course the fun is in that, in seeing or noticing the little things that can make them become closer or that make them think about one another differently. Since, as I've said, this is not that obvious, I can understand how the pay off feels weak for some readers.
The main reason why I like these stories is because the heroines do face some inner issues, they usually have complicated situations in their lives and/or past, and I do like plots where people get the upper hand after having problems. I was rooting for Vanessa, independently of her rich husband of convenience. It is true he does help, but once she starts living with him, I could see the improvement in her life and in her emotions and I felt happy for her.
Oh gosh this book! It felt so long and yet I flew through, most, of it so quickly.
ReplyDeleteThe reason for him wanting to marrying her made absolutely no sense, lol.
Totally agree with the inferring, this is why I prefer to get both povs in romance, I don't want to have to make up the emptions myself, I want to read about them!
Exactly... First person POV in romance might not be impossible to achieve, but it takes a certain skill and sometimes it's better to do it differently. I also think that there are other books where this didn't feel as annoying or as obvious because, perhaps, the heroine was more captivating too?
Delete